Dua Lipa Rocks Polka-Dot Halter Dress with Black Birkin Bag

Dua Lipa was spotted heading back into the studio in New York City this week, and honestly, her outfit stole just as much attention as the music news itself.

The singer showed up at Electric Lady Studios on July 23 wearing a black-and-white polka-dot halter dress from Realisation Par, and she somehow made it look both comfy and expensive at the same time. She threw on calf-high Chrome Hearts boots, dark Jacques Marie Mage sunglasses, and topped it all off with a New York Yankees cap, which honestly kind of just works for her at this point since she’s worn similar caps before.

Fans can’t help but notice she’s been at the studio a lot lately, probably working on new music we’ve all been waiting for. 🎵

She didn’t stop there with the accessories either. Lipa carried a $30,000 Hermès Birkin 30 in black, decked out with colorful tassels and a silk Hermès scarf featuring little red hearts. There was also a gold Bvlgari watch on her wrist, because apparently subtlety wasn’t really the goal that day.

This isn’t the first time she’s rocked this laid-back-meets-luxury vibe. Back on July 1, she wore distressed Ralph Lauren denim shorts with an Ann Demeulemeester white top, plus burgundy Chanel ballet flats and a matching bag. Same baseball cap energy, different outfit.

As for the music itself, her last album Radical Optimism dropped back in May 2024, giving us songs like “Training Season,” “Houdini,” and “Illusion.” Now it seems like DL4 might finally be on its way, based on how often she’s been showing up to record.


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All this studio time comes just months after she got married to Callum Turner in a London courthouse back in May, followed by a second wedding celebration in Italy not long after. For that big day, she wore a backless Chanel Couture gown covered in 480,000 beads and 25,000 feathers, paired with an almost 20-foot veil that was hand-embroidered to match. The dress reportedly took years to finish, which honestly makes sense once you see the details.

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